Concerts by the chamber music ensemble Civitas are as likely to take place at Lurie Children’s Hospital as they are on a concert stage, and perhaps that focus helps to explain the particular warmth and humor of the group’s programming sensibility. Its performances radiate joyful vigor, a happy blend of virtuosity and camaraderie. ““The last thing we want to be is stodgy,” says founder Yuan-Qing Yu.
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Interview: There aren’t many people who could get away with the argument that watching old “I Love Lucy” re-runs is homework, but Sirena Irwin is one. She plays comedy’s favorite redhead in “I Love Lucy Live on Stage” in a return engagement at the Broadway Playhouse through March 3.
B’way bound ‘Big Fish’ starts here
Feature: It takes three actor-puppeteers in sync to breathe life into the title character of “War Horse,” the popular play by the National Theatre of Great Britain in collaboration with Handspring Puppet Company. Currently touring the U.S., “War Horse” plays the Cadillac Palace Theatre through Jan. 5.
Interview: A round of boxing lasts three minutes. That’s about how long it takes Kamal Angelo Bolden, as a spunky young boxer who’s all speed and dreams in Brett Neveu’s “The Opponent,” to redefine the phrase “physical theater.” But Bolden says his knockout performance in the ring at A Red Orchid Theatre was the easy part. The challenge was getting the dreamer right.
Shows of the season: A roundup
Review: High spirits rule at a gathering of friends and family in “James Joyce’s ‘The Dead,’” a play with music by Richard Nelson and Shaun Davey after the famous short story. But ghosts of past, present and future have crashed the party. ★★★★
Review: In the face of death, two couples with radically different world views are grappling with a shared reality and an age-old question: To be or not to be – alive or together. That’s the double push and pull of Jane Anderson’s witty, provocative and surprising play “The Quality of Life,” offered in a taut, fine-spun production at The Den Theatre. ★★★★
Review: There was the ice-cracking shock of a sudden Russian spring at Chicago’s Orchestra Hall on Wednesday night, and I am not solely referring to Stravinsky’s “The Rite of Spring,” which was on the Chicago Symphony Orchestra’s program. Freshness abounded in the performance of 21-year-old Russian pianist Daniil Trifonov. ★★★★★
Review: One is so torn watching tenor Matthew Polenzani’s vocally resplendent performance in the title role of a new production of Massenet’s “Werther” at the Lyric Opera of Chicago. While you’re sitting there beguiled by Polenzani’s authoritative, richly modulated sound, something deep inside is spurring you to bolt from your seat, rush onto the stage and just shake that determinedly miserable character he’s playing. ★★★★
Interview: Except when she crashes to the floor, Jacqueline Grandt spends the full length of Arthur Miller’s “Broken Glass” at Redtwist Theatre in a wheelchair or resting in bed. Yet every night, Grandt says, she leaves the theater physically exhausted.
Review: ★★★★
Report update: Carnegie Hall’s concerts for Nov. 1 have been cancelled as the crane remains unsecured, and more cancellations are expected. Broadway theaters have resumed their performance schedules, so it’s back to work for several Chicago-based performers. Many off-Broadway theaters in the downtown area are still without electricity and remain closed.
Preview: Ask cellist Alisa Weilerstein about the recital she plays Oct. 28 at Orchestra Hall, and she will quickly note that the best thing about the program is that it’s actually a duo recital for two equally important voices – and that she’s lucky to be teamed up with Israeli pianist and longtime collaborator Inon Barnatan. Their concert opens the chamber music portion of this season’s Symphony Center Presents series, which also offers four more chamber concerts, nine solo piano recitals and two performances by visiting orchestras.
“To Cross the Face of the Moon”
