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	<title>Chicago On the Aisle</title>
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	<link>http://www.chicagoontheaisle.com</link>
	<description>Chicago performing arts and other splendors -- best bets in music and theater reviews for cultural travelers and local enthusiasts</description>
	<lastBuildDate>Sat, 19 May 2012 04:24:03 +0000</lastBuildDate>
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		<title>Role Playing: Ian Barford revels in the wiliness of an ambivalent rebel in Doctorow’s ‘March’</title>
		<link>http://www.chicagoontheaisle.com/2012/05/17/interview-with-ian-barford-about-the-march-at-steppenwol/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/17/interview-with-ian-barford-about-the-march-at-steppenwol/#comments</comments>
		<pubDate>Thu, 17 May 2012 21:52:16 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Top Story]]></category>
		<category><![CDATA["The March"]]></category>
		<category><![CDATA[E.L. Doctorow]]></category>
		<category><![CDATA[Frank Galati]]></category>
		<category><![CDATA[Ian Barford]]></category>
		<category><![CDATA[Steppenwolf Theatre]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5239</guid>
		<description><![CDATA[Interview:  He’s just making it up as he goes along, the Confederate turncoat portrayed by Ian Barford in Steppenwolf Theatre’s current production of “The March.” That’s what Barford likes about his opportunistic character called Arley. And in a sense, the actor says, he’s doing much the same thing on stage from night to the next, trying to track the pitch and roll of a soldier who’s trying to find his own meaning.]]></description>
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		<title>In lightning-quick Beethoven 7th Symphony, van Zweden and CSO deliver a poetic thriller</title>
		<link>http://www.chicagoontheaisle.com/2012/05/16/review-of-chicago-symphony-conducted-by-jaap-van-zweden/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/16/review-of-chicago-symphony-conducted-by-jaap-van-zweden/#comments</comments>
		<pubDate>Wed, 16 May 2012 16:05:58 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[Jaap van Zweden]]></category>
		<category><![CDATA[Shostakovich]]></category>
		<category><![CDATA[Vaughan Williams]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5214</guid>
		<description><![CDATA[Review:  It’s one thing to hear a hair-raising orchestra performance on a CD, and quite another to experience it happening right in front of you, live, in the splendorous acoustics of a concert space. The Chicago Symphony Orchestra’s rocket-sled finale in Beethoven’s Seventh Symphony on May 15 at Orchestra Hall, with conductor Jaap van Zweden, was one to send a writer combing his thesaurus for a higher form of wow. *****]]></description>
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		<title>Amid the war to gain vote for British women, flames of passion illuminate ‘Her Naked Skin’</title>
		<link>http://www.chicagoontheaisle.com/2012/05/15/review-of-her-naked-skin-produced-by-shattered-globe-theatre/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/15/review-of-her-naked-skin-produced-by-shattered-globe-theatre/#comments</comments>
		<pubDate>Tue, 15 May 2012 06:00:33 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA["Her Naked Skin"]]></category>
		<category><![CDATA[Andrew Hildner]]></category>
		<category><![CDATA[Linda Reiter]]></category>
		<category><![CDATA[Lindsay Schmeling]]></category>
		<category><![CDATA[Rebecca Lenkiewicz]]></category>
		<category><![CDATA[Roger Smart]]></category>
		<category><![CDATA[Shattered Globe Theatre]]></category>
		<category><![CDATA[Sheila O'Connor]]></category>
		<category><![CDATA[Tim Newell]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5162</guid>
		<description><![CDATA[Suffragettes at Shattered Globe. 4 stars!]]></description>
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		<title>Chicago Symphony nabs key player from Detroit to helm bass section</title>
		<link>http://www.chicagoontheaisle.com/2012/05/14/chicago-symphony-nabs-alexander-hanna-key-player-from-detroit-to-helm-doublebass-section/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/14/chicago-symphony-nabs-alexander-hanna-key-player-from-detroit-to-helm-doublebass-section/#comments</comments>
		<pubDate>Mon, 14 May 2012 16:46:05 +0000</pubDate>
		<dc:creator>Nancy Malitz</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Akexander Hanna]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[Detroit Symphony Orchestra]]></category>
		<category><![CDATA[principal bass]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5187</guid>
		<description><![CDATA[Alexander Hanna, 26, has been groomed at  Curtis, Tanglewood and Verbier.]]></description>
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		<title>On the Lyric Opera stage, pianist Lang Lang  lends Schubert, Chopin a tenor of virtuosity</title>
		<link>http://www.chicagoontheaisle.com/2012/05/14/review-of-lang-lang-recital-at-chicagos-civic-opera-house/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/14/review-of-lang-lang-recital-at-chicagos-civic-opera-house/#comments</comments>
		<pubDate>Mon, 14 May 2012 05:32:56 +0000</pubDate>
		<dc:creator>Nancy Malitz</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Civic Opera House]]></category>
		<category><![CDATA[Lang Lang]]></category>
		<category><![CDATA[Lyric Opera of Chicago]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5151</guid>
		<description><![CDATA[Review: Lang Lang’s debut at Chicago's 3500-seat Civic Opera House was quietly elegant, cogently argued and intensely focused. That is, until the abundantly gifted pianist gave himself over to some astonishing fireworks. With a technique like that,  who can blame him? ****]]></description>
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		</item>
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		<title>Vivid characters and some great singing carry the day for ‘A Little Night Music’ at Writers’</title>
		<link>http://www.chicagoontheaisle.com/2012/05/12/review-of-a-little-night-music-at-writers-theatre/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/12/review-of-a-little-night-music-at-writers-theatre/#comments</comments>
		<pubDate>Sat, 12 May 2012 14:47:20 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA["A Little Night Music"]]></category>
		<category><![CDATA[Brandon Dahlquist]]></category>
		<category><![CDATA[Jonathan Weir]]></category>
		<category><![CDATA[Kevin Depinet]]></category>
		<category><![CDATA[Shannon Cochran]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>
		<category><![CDATA[William Brown]]></category>
		<category><![CDATA[Writers' Theatre]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5112</guid>
		<description><![CDATA[Sondheim's paean to love. 4 stars!]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2012/05/12/review-of-a-little-night-music-at-writers-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‘Melancholy’ cometh, draped in dolorous fun,  as Grey Ghost Theatre bows with Ruhl’s play</title>
		<link>http://www.chicagoontheaisle.com/2012/05/11/review-of-melancholy-play-by-sarah-ruhl-grey-ghost-theatre-chicago-2012/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/11/review-of-melancholy-play-by-sarah-ruhl-grey-ghost-theatre-chicago-2012/#comments</comments>
		<pubDate>Fri, 11 May 2012 22:36:45 +0000</pubDate>
		<dc:creator>Nancy Malitz</dc:creator>
				<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Amber Robinson]]></category>
		<category><![CDATA[Andy Junk]]></category>
		<category><![CDATA[Ben Hjertmann]]></category>
		<category><![CDATA[Grey Ghost Theatre]]></category>
		<category><![CDATA[Jeremy David Ward]]></category>
		<category><![CDATA[Maggie McCally]]></category>
		<category><![CDATA[Mallory Nees]]></category>
		<category><![CDATA[Melancholy Play]]></category>
		<category><![CDATA[Mollie Slattery]]></category>
		<category><![CDATA[Mouzam Makkar]]></category>
		<category><![CDATA[Peter Durkin]]></category>
		<category><![CDATA[Sarah Ruhl]]></category>
		<category><![CDATA[ViaDuct Theatre]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5073</guid>
		<description><![CDATA[Review: When Tilly shows up, she elevates the common funk to dolorous heights so seductive, transporting and rarified -- cue the cello -- that only the Japanese have a word for it, or is it the Scandinavians? This is Sarah Ruhl's 2001 "Melancholy Play," a gentle misery-loves-company fable of high wit. ***]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATC and About Face hang fresh ‘Rent’ sign on a production of street-level intimacy, energy</title>
		<link>http://www.chicagoontheaisle.com/2012/05/09/review-of-rent-by-jonathan-larson-at-american-theater-company-and-about-face-theatre-chicago-2012/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/09/review-of-rent-by-jonathan-larson-at-american-theater-company-and-about-face-theatre-chicago-2012/#comments</comments>
		<pubDate>Thu, 10 May 2012 04:10:08 +0000</pubDate>
		<dc:creator>Nancy Malitz</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[About Face Theatre]]></category>
		<category><![CDATA[Aileen May]]></category>
		<category><![CDATA[Alan Schmuckler]]></category>
		<category><![CDATA[Alex Agard]]></category>
		<category><![CDATA[American Theater Co.]]></category>
		<category><![CDATA[American Theater Company]]></category>
		<category><![CDATA[Collette Pollard]]></category>
		<category><![CDATA[David Cromer]]></category>
		<category><![CDATA[David Hyman]]></category>
		<category><![CDATA[Derrick Trumbly]]></category>
		<category><![CDATA[Esteban Andres Cruz]]></category>
		<category><![CDATA[Grace Gealy]]></category>
		<category><![CDATA[Heather Gilbert]]></category>
		<category><![CDATA[Jessica Redish]]></category>
		<category><![CDATA[Jonathan Larson]]></category>
		<category><![CDATA[Karla Beard]]></category>
		<category><![CDATA[Lili-Anne Brown]]></category>
		<category><![CDATA[Rent]]></category>
		<category><![CDATA[Tim Splain]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5039</guid>
		<description><![CDATA[Musical classic, new again. 4 stars!]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Theater Wit chases depression into sharp bite of comedy with Rosenstock’s ‘Tigers Be Still’</title>
		<link>http://www.chicagoontheaisle.com/2012/05/09/review-of-tigers-be-still-at-theater-wit/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/09/review-of-tigers-be-still-at-theater-wit/#comments</comments>
		<pubDate>Wed, 09 May 2012 23:51:23 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA["Tigers Be Still"]]></category>
		<category><![CDATA[Andrei Onegin]]></category>
		<category><![CDATA[Guy Massey]]></category>
		<category><![CDATA[Jeremy Wechsler]]></category>
		<category><![CDATA[Kasey Foster]]></category>
		<category><![CDATA[Kim Rosenstock]]></category>
		<category><![CDATA[Mary Winn Heider]]></category>
		<category><![CDATA[Matt Farabee]]></category>
		<category><![CDATA[Theater Wit]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=5009</guid>
		<description><![CDATA[Bittersweet therapy with beast. 2 stars.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chicago Symphony plans Asian tour with Muti, and adds Mexico debut to fall Carnegie opener</title>
		<link>http://www.chicagoontheaisle.com/2012/05/08/chicago-symphony-plans-asian-tour/</link>
		<comments>http://www.chicagoontheaisle.com/2012/05/08/chicago-symphony-plans-asian-tour/#comments</comments>
		<pubDate>Tue, 08 May 2012 17:33:37 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[Riccardo Muti]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=4978</guid>
		<description><![CDATA[Beijing, Mexico City, Seoul among stops. ]]></description>
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