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	<title>Chicago On the Aisle</title>
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	<link>http://www.chicagoontheaisle.com</link>
	<description>Chicago performing arts and other splendors -- best bets in music and theater reviews for cultural travelers and local enthusiasts</description>
	<lastBuildDate>Tue, 21 May 2013 05:31:21 +0000</lastBuildDate>
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		<title>‘Brighton Beach Memoirs’ at Raven: A young man’s fancy swings from baseball to – sex!</title>
		<link>http://www.chicagoontheaisle.com/2013/05/20/review-of-brighton-beach-memoirs-by-neil-simon-at-raven-theatre/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/20/review-of-brighton-beach-memoirs-by-neil-simon-at-raven-theatre/#comments</comments>
		<pubDate>Tue, 21 May 2013 05:22:52 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Top Story]]></category>
		<category><![CDATA["Brighton Beach Memoirs"]]></category>
		<category><![CDATA[Amanda Rozmiarek]]></category>
		<category><![CDATA[Charlie Bazzell]]></category>
		<category><![CDATA[Cody Estle]]></category>
		<category><![CDATA[JoAnn Montemurro]]></category>
		<category><![CDATA[Neil Simon]]></category>
		<category><![CDATA[Raven Theatre]]></category>
		<category><![CDATA[Ron Quale]]></category>
		<category><![CDATA[Sam Hubbard]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12982</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Review:</strong></span> Eugene Morris Jerome, age 15, has two things on his mind: baseball and girls. He knows baseball. This summer – it’s 1937 in Brooklyn – Eugene is seriously committed to learning everything about his latest subject of interest. This is the famously irresistible setup of Neil Simon’s quasi-autobiographical comedy “Brighton Beach Memoirs,” a heart-warming delight in its current staging at Raven Theatre. <span style="color: #d83d1f;">&#9733;&#9733;&#9733;&#9733;</span>]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/20/review-of-brighton-beach-memoirs-by-neil-simon-at-raven-theatre/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Australian drama troupe transcends handicaps with serio-comedy full of backstage laughter</title>
		<link>http://www.chicagoontheaisle.com/2013/05/19/review-of-ganesh-versus-the-third-reich-by-back-to-back-theatre-at-museum-of-contemporary-art-cihcago/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/19/review-of-ganesh-versus-the-third-reich-by-back-to-back-theatre-at-museum-of-contemporary-art-cihcago/#comments</comments>
		<pubDate>Mon, 20 May 2013 00:12:03 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Back to Back Theatre]]></category>
		<category><![CDATA[Bruce Gladwin]]></category>
		<category><![CDATA[Museum of Contemporary Art Chicago]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12954</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Review:</strong></span> If the title “Ganesh Versus the Third Reich” provokes more than the usual curiosity about fresh dramatic fare, the play itself -- presented by the ensemble that created it, Australia’s Back to Back Theatre – leaves one hardly less perplexed upon emerging from the experience. “Ganesh” displays a singular aspect of beauty, even sweetness, until it takes a bitter turn and dissipates as if into a vacuum, into nothingness. <span style="color: #d83d1f;">&#9733;&#9733;&#9733;</span>]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/19/review-of-ganesh-versus-the-third-reich-by-back-to-back-theatre-at-museum-of-contemporary-art-cihcago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sparked by belief in music’s healing power, Civitas lights up hospital and concert hall</title>
		<link>http://www.chicagoontheaisle.com/2013/05/18/civitas-ensemble-joins-yo-yo-ma-and-friends-for-hospital-stage-performances-in-chicago-2013/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/18/civitas-ensemble-joins-yo-yo-ma-and-friends-for-hospital-stage-performances-in-chicago-2013/#comments</comments>
		<pubDate>Sat, 18 May 2013 22:35:17 +0000</pubDate>
		<dc:creator>Nancy Malitz</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Alex Stephenson]]></category>
		<category><![CDATA[Anne & Howard Gottlieb Hall]]></category>
		<category><![CDATA[Chen Yao]]></category>
		<category><![CDATA[Citizen Musician]]></category>
		<category><![CDATA[Civitas Ensemble]]></category>
		<category><![CDATA[J. Lawrie Bloom]]></category>
		<category><![CDATA[John Jenkins]]></category>
		<category><![CDATA[John Mackey]]></category>
		<category><![CDATA[Judson and Joyce Green]]></category>
		<category><![CDATA[Kenneth Olsen]]></category>
		<category><![CDATA[Lurie Children's Hospital]]></category>
		<category><![CDATA[Lurie Hospital Crown Sky Garden]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Ned Rorem]]></category>
		<category><![CDATA[Weijing Wang]]></category>
		<category><![CDATA[Winston Choi]]></category>
		<category><![CDATA[Yo-Yo Ma]]></category>
		<category><![CDATA[Yuan-Qing Yu]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12910</guid>
		<description><![CDATA[Concerts by the chamber music ensemble Civitas are as likely to take place at Lurie Children’s Hospital as they are on a concert stage, and perhaps that focus helps to explain the particular warmth and humor of the group’s programming sensibility. Its performances radiate joyful vigor, a happy blend of virtuosity and camaraderie. "“The last thing we want to be is stodgy," says founder Yuan-Qing Yu.]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/18/civitas-ensemble-joins-yo-yo-ma-and-friends-for-hospital-stage-performances-in-chicago-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Latvian Andris Nelsons follows James Levine as Boston Symphony Orchestra music director</title>
		<link>http://www.chicagoontheaisle.com/2013/05/16/andris-nelsons-named-music-director-of-boston-symphony/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/16/andris-nelsons-named-music-director-of-boston-symphony/#comments</comments>
		<pubDate>Thu, 16 May 2013 19:02:45 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Andris Nelsons]]></category>
		<category><![CDATA[Boston Symphony Orchestra]]></category>
		<category><![CDATA[City of Birmingham Symphony]]></category>
		<category><![CDATA[James Levine]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12873</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Report:</strong></span> Latvian conductor Andris Nelsons was named Thursday as music director of the Boston Symphony Orchestra. Nelsons will become officially installed as the BSO’s 15th music director effective with the 2014-15 season, but meanwhile will act as music director-designate for the 2013-14 season.]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/16/andris-nelsons-named-music-director-of-boston-symphony/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Role Playing: Eva Barr explored  two personas of Alzheimer’s victim to find center of ‘Alice’</title>
		<link>http://www.chicagoontheaisle.com/2013/05/15/interview-with-actor-eva-barr-about-playing-the-title-role-in-still-alice-by-christine-mary-dunford/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/15/interview-with-actor-eva-barr-about-playing-the-title-role-in-still-alice-by-christine-mary-dunford/#comments</comments>
		<pubDate>Wed, 15 May 2013 21:24:14 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA["Still Alice"]]></category>
		<category><![CDATA[Alzheimer's disease]]></category>
		<category><![CDATA[Christine Mary Dunford]]></category>
		<category><![CDATA[Christopher Donahue]]></category>
		<category><![CDATA[Cliff Chamberlain]]></category>
		<category><![CDATA[Eva Barr]]></category>
		<category><![CDATA[Lisa Genova]]></category>
		<category><![CDATA[Lookingglass Theatre]]></category>
		<category><![CDATA[Mariann Mayberry]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12813</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Interview:</strong></span> To watch Eva Barr play out the progressive, early-onset dementia of the woman at the center of “Still Alice” at Lookingglass Theatre is to forget you’re looking at the subtle, skillful work of an actor. Yet hardly less remarkable is the way Barr arrived at the role: She began, in first readings with playwright-director Christine Mary Dunford, by taking a different part, an alternate Alice –  a separate character Dunford identifies simply as Herself.]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/15/interview-with-actor-eva-barr-about-playing-the-title-role-in-still-alice-by-christine-mary-dunford/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‘Vera Stark’ aims a satiric lens at Hollywood  stereotype of black film characters in 1930s</title>
		<link>http://www.chicagoontheaisle.com/2013/05/13/review-of-by-the-way-meet-vera-stark-by-lynn-nottage-at-goodman-theatre/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/13/review-of-by-the-way-meet-vera-stark-by-lynn-nottage-at-goodman-theatre/#comments</comments>
		<pubDate>Mon, 13 May 2013 23:31:55 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Amelia Workman]]></category>
		<category><![CDATA[Birgit Rattenborg Wise]]></category>
		<category><![CDATA[By the Way Meet Vera Stark]]></category>
		<category><![CDATA[Chiké Johnson]]></category>
		<category><![CDATA[Chuck Smith]]></category>
		<category><![CDATA[Goodman Theatre]]></category>
		<category><![CDATA[Kara Zediker]]></category>
		<category><![CDATA[Lynn Nottage]]></category>
		<category><![CDATA[Patrick Clear]]></category>
		<category><![CDATA[Ron Rains]]></category>
		<category><![CDATA[Tamberla Perry]]></category>
		<category><![CDATA[TaRon Patton]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12780</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Review:</strong> &#9733;&#9733;</span>]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/13/review-of-by-the-way-meet-vera-stark-by-lynn-nottage-at-goodman-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‘Blood and Gifts’ at TimeLine: Blood-soaked  Afghanistan as pawn in U.S.-Russian faceoff</title>
		<link>http://www.chicagoontheaisle.com/2013/05/11/review-of-blood-and-gifts-by-j-t-rogers-at-timeline-theatre/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/11/review-of-blood-and-gifts-by-j-t-rogers-at-timeline-theatre/#comments</comments>
		<pubDate>Sat, 11 May 2013 22:32:15 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Anish Jethmalani]]></category>
		<category><![CDATA[Blood and Gifts]]></category>
		<category><![CDATA[Collette Pollard]]></category>
		<category><![CDATA[Craig Spidle]]></category>
		<category><![CDATA[David Parkes]]></category>
		<category><![CDATA[J.T. Rogers]]></category>
		<category><![CDATA[Jenny Mannis]]></category>
		<category><![CDATA[Kareem Bandealy]]></category>
		<category><![CDATA[Mike Tutaj]]></category>
		<category><![CDATA[Nick Bowling]]></category>
		<category><![CDATA[Raymond Fox]]></category>
		<category><![CDATA[Terry Hamilton]]></category>
		<category><![CDATA[TimeLine Theatre]]></category>
		<category><![CDATA[Timothy Edward Kane]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12733</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Review:</strong> &#9733;&#9733;&#9733;&#9733;&#9733;</span>]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/11/review-of-blood-and-gifts-by-j-t-rogers-at-timeline-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>CSO Rivers Festival explores the enchantment  of waterways, their impact on human history</title>
		<link>http://www.chicagoontheaisle.com/2013/05/09/chicago-symphony-rivers-festival-explores-impact-of-waterways-on-human-history/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/09/chicago-symphony-rivers-festival-explores-impact-of-waterways-on-human-history/#comments</comments>
		<pubDate>Thu, 09 May 2013 22:29:28 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Classical + Opera]]></category>
		<category><![CDATA[Amazon River]]></category>
		<category><![CDATA[Carlos Miguel Prieto]]></category>
		<category><![CDATA[Chicago Jazz Philharmonic]]></category>
		<category><![CDATA[Chicago River]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[Jaap van Zweden]]></category>
		<category><![CDATA[Juanjo Mena]]></category>
		<category><![CDATA[Marc-André Hamelin]]></category>
		<category><![CDATA[Mason Bates]]></category>
		<category><![CDATA[Mei-Ann Chen]]></category>
		<category><![CDATA[Mississippi River]]></category>
		<category><![CDATA[Orbert Davis]]></category>
		<category><![CDATA[Peter Serkin]]></category>
		<category><![CDATA[Riccardo Muti]]></category>
		<category><![CDATA[Rivers Festival]]></category>
		<category><![CDATA[Yo-Yo Ma]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12689</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Preview:</strong></span> Literally and metaphorically, rivers seem to flow in every direction across our lives; indeed, across life. It's not hard to see how the Chicago Symphony Orchestra might have hit on the concept of its Rivers Festival, a multifaceted month-long exploration and tribute that opens musically May 9 at Orchestra Hall.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Oh, what a beautiful show: Lyric ‘Oklahoma!’  sweeps the plain with bounty of song, dance</title>
		<link>http://www.chicagoontheaisle.com/2013/05/06/review-oklahoma-by-rodgers-and-hammerstein-at-lyric-opera-of-chicago/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/06/review-oklahoma-by-rodgers-and-hammerstein-at-lyric-opera-of-chicago/#comments</comments>
		<pubDate>Mon, 06 May 2013 19:33:51 +0000</pubDate>
		<dc:creator>Lawrence B. Johnson</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Agnes De Mille]]></category>
		<category><![CDATA[Ashley Brown]]></category>
		<category><![CDATA[Christine Binder]]></category>
		<category><![CDATA[Curtis Holbrook]]></category>
		<category><![CDATA[David Adam Moore]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[James Lowe]]></category>
		<category><![CDATA[Jenna McClintock]]></category>
		<category><![CDATA[John Cudia]]></category>
		<category><![CDATA[John Lee Beatty]]></category>
		<category><![CDATA[Lyric Opera of Chicago]]></category>
		<category><![CDATA[Mara Blumenfeld]]></category>
		<category><![CDATA[Oklahoma!]]></category>
		<category><![CDATA[Oscar Hammerstein]]></category>
		<category><![CDATA[Paul Scrofano]]></category>
		<category><![CDATA[Richard Rodgers]]></category>
		<category><![CDATA[Stephen Hanna]]></category>
		<category><![CDATA[Tari Kelly]]></category>
		<category><![CDATA[Usman Ally]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12645</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Review:</strong> &#9733;&#9733;&#9733;&#9733;&#9733;</span>]]></description>
		<wfw:commentRss>http://www.chicagoontheaisle.com/2013/05/06/review-oklahoma-by-rodgers-and-hammerstein-at-lyric-opera-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>McCraney’s ‘Head of Passes’ at Steppenwolf:  Keeping faith with no shelter from the storm</title>
		<link>http://www.chicagoontheaisle.com/2013/05/04/review-head-of-passes-tarell-alvin-mccraney-tina-landau-steppenwolf-cheryl-lynn-bruce-david-gallo-2013/</link>
		<comments>http://www.chicagoontheaisle.com/2013/05/04/review-head-of-passes-tarell-alvin-mccraney-tina-landau-steppenwolf-cheryl-lynn-bruce-david-gallo-2013/#comments</comments>
		<pubDate>Sat, 04 May 2013 12:16:24 +0000</pubDate>
		<dc:creator>Nancy Malitz</dc:creator>
				<category><![CDATA[Latest Reviews + News]]></category>
		<category><![CDATA[Theater + Stage]]></category>
		<category><![CDATA[Alana Aremas]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Book of Job]]></category>
		<category><![CDATA[Cheryl Lynn Bruce]]></category>
		<category><![CDATA[Chris Boykin]]></category>
		<category><![CDATA[Glenn Davis]]></category>
		<category><![CDATA[Head of Passes]]></category>
		<category><![CDATA[Jacqueline Williams]]></category>
		<category><![CDATA[James T. Alfred]]></category>
		<category><![CDATA[Job]]></category>
		<category><![CDATA[Kyle Beltran]]></category>
		<category><![CDATA[Michael Brosilow]]></category>
		<category><![CDATA[Ron Cephas Jones]]></category>
		<category><![CDATA[Steppenwolf]]></category>
		<category><![CDATA[Tarell Alvin McCraney]]></category>
		<category><![CDATA[Tim Hopper]]></category>
		<category><![CDATA[Tina Landau]]></category>

		<guid isPermaLink="false">http://www.chicagoontheaisle.com/?p=12563</guid>
		<description><![CDATA[<span style="color: #d83d1f;"><strong>Review:</strong> &#9733;&#9733;&#9733;&#9733;</span>]]></description>
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		<slash:comments>0</slash:comments>
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